Teaching Students with Learning Disabilities 10/06/2009
With the philosophy of music education for all, I have been thinking a lot about the social groups that instrumental music tends to “leave out” - ELL students and students with special needs. In my own experience, I have worked this year with students who are in the process of being diagnosed with specific learning disabilities and others who have already been diagnosed with mild learning disorders. Without a para or a team teaching situation, I have found it difficult to set an appropriate pace for the class to accommodate a variety of learning styles and needs in the classroom. The most positive interactions I have had with students with special needs are always in a one-on-one teaching scenario. Even taking a few minutes outside of class can make a world of difference to a student. One brass student had difficulty finding the appropriate register when asked to play a note, even a trumpet C4 would sound half an octave below due to lack of an aural target and air support. With time spent on pitch matching back and forth (and without the pressure of other students in the classroom), he/she was able to match the pitches and identify any discrepancies between my pitch and the one that he/she performed. I also have been considering the expectations we place on our students from the very beginning of instrumental lessons. Think of how many physical and mental processes we foster in our students: appropriate posture, constancy and stability of breathing, steadiness of tempo (internally as well as tapping a foot), identification of musical symbols, reading notation at a steady tempo... the list goes on and on! For a student with learning disabilities, some steps may fall into place more easily than others. While I may be able to have a student emulate pitches by rote, expecting them to “read” music at a steady beat is often too difficult of a task to complete right away. In individual situations, I'll spend time to “break down” the notational components into smaller, more recognizable chunks. I really strive to constantly encourage and reinforce the correct habits so that each student can feel successful in their playing while isolating more difficult areas and spending time on individual components that need additional work. -Dan Leeman Challenges in communication 07/13/2009
I had the fortunate opportunity to start teaching private instrumental lessons to an ELL student. The situation itself is quite challenging since the student speaks little English, and I myself only speak a little of his native language. Thanks to a cooperative ELL teacher, and a supportive extended family who helps translate for me, I think this will be a very successful endeavor. The most difficult challenge I am having right now is in trying to modify certain musical behaviors. While I can ask him to blow faster or slower air, it is difficult for me/him to use specific language to ascertain solutions to pitch matching. This is certainly a fantastic lesson in using nonverbal communication, and focusing on specific language cues when necessary. |